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Opinion By Ted Baldwin

Star Wars Episode I: The Phantom Menace

Reviewed: 5/21/99
Forget the hype, forget the long lines, forget the miserable 16 year wait for this work of art. Go, take a kid, and be a kid.
It is worth it.
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FIVE POSSIBLE

     This has spoilers, so if you want to know before you go, read on.

     An incredible film.

     The Phantom Menace is so effortless, so simple in its telling that it begs belittlement. It is a story-book and fantasy, innuendo, rumor and tall-tale realized, with creatures of every stripe and station littering the landscape like popcorn at a duck-feeding. It's gonna make a million dollars!*

     As the first episode of what is envisioned as at least a holy sextet, The Phantom Menace takes its time establishing the characters, their status, and environment. It cannot be everything people seem to need it to be, but it is more than even I hoped. And any critic looking to make a name for him/her/self by portraying this as anything but a wonderful experience is lying to you, or themselves. There is nothing wrong with this film.

      As a producer of 3-d animation, I know that back-breaking work went into every frame of the film. And the hundreds of animation and compositing credits at the end tell the rest of the story. With an expert's eye, I found very few seams - and there are thousands of places that I know there should be. From the Planet-wide City of Coruscant (def: flashing;glittering) to the plains of Naboo, it is simply beautiful, and all believable.

     It has contrasting moods - sometimes slow and lumbering, sometimes deft and fleet footed. It is a dream come true. It does everything it needs to, the way it needs to be done, and still gives more.

But the heart of this piece is inexorable tragedy. A stifling sadness that, for all of the heroic glory and bravado, threads itself maddeningly through every scene.

     Anakin Skywalker is the central focus of Phantom Menace, and we have known for almost 20 years what his end will be. Now we see his beginning, born into poverty, sold into slavery, trapped in a world of fear and pain, but surprisingly hopeful, full of energy, and brimming with the Force.

     Yet as we watch his beginnings we know he becomes the servant of the Emperor, becomes what we now know he as a child hates. His fate was almost all I could think about while watching the film. And seeing how Lucas handles the kid, a prodigy, bright, alert, creative, and so hopeful, I think about it all the more. Had Anakin been angry, spiteful or devious, it might be seen how he would fall to the dark side of the force.

     We could accept the ascendancy of a petty, ruthless brat to the empire of evil. But there is no chip on Anakin's shoulder, and he is heroic and selfless through and through. Only Yoda sees the storm clouds gathering, and perceives the potential threat. As tall as he stands within the Jedi Council, he stands alone, and his wishes are ignored.

     In my religious upbringing, I was taught that children are innocents. My faith in that is often reinforced through chance encounters of young people surviving despite powerful odds against it. I see glimpses of their natural honesty and hope through the interstices of their protective coloration.

     In our feature documentary on Gutter Punks (homeless teens), I saw in my interviews where parents, society, religion, and strangers had failed, used and abused them. The path from homelessness to drugs, petty crime and oblivion was determined by the onslaught of lonely streets. Many of those kids found pets, which is revealing of their need for companionship and human warmth, and the gentleness of spirit that makes it possible to relate to another being. Despite their predicament, they strive to act humanely, to hold onto sanity and love for life

     Of course, at some point, every one of those homeless kids has to choose how they will end up. They either seek real help or, complexly, at some point too late for them, give in or give up.

     And it makes me wonder about Columbine, where two kids in a decent suburb with upscale parents decide to avenge themselves inhumanely on their persecution fantasies. Society had not failed them, in that they had material things and educational opportunity. At what point did they turn and choose to abandon their souls? Or were those souls ripped out of their adolescent psyches by desperation and circumstances we will never understand?

      At some point it was too late for them.

     Anakin had no material wealth as a slave, no freedom, no independence. But he had an optimism, and a dignity, nurtured by a loving mother. He made imaginary friends into real ones with little more than baling wire and a screwdriver. He built a pod-racer with his own two hands, and dreamed of freedom in the stars, and grieved over leaving his mother for his destiny.

      It will be interesting to see what fortunes turn Anakin from budding Jedi Knight to Darth Vader. We already know at some point it will be too late for him. And I am sure it will be sadder still to watch.

     God help us learn something from it.

*Actually it made something like 45 million before it even opened.
It should break even by Monday.
There are supposedly 235,000 Star Warswebsites (Source: NBC TODAY), so the E! link is the only SW1 link I am providing. Amusing, isn't it?